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So when I was asked to pick

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the topic for my TED talk today,
I really struggled.

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Everybody else had something
that was a real calling to them or a story

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they'd been waiting to tell and
some wonderful ones you've already seen.

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And I really didn't have that.

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And as the weeks were going by,
I was getting more and more concerned.

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And I think at one point
I had the title Did Google Save My Life,

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and that basically waters
down to the memoirs of a lot moron

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in New York City
and which wasn't that interesting.

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And so the weeks went by
and I was getting a little bit flustered,

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so I did what I do
quite commonly when I'm feeling like I'm

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quite difficult to be around
and quite stressed out, booby trap

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mum into a day out
and force her to spend some time with me.

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And so the conversation, which isn't
an unusual one, went something like this.

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So Lucy, how are you?

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Fine.

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And so you seem a little bit grumpy

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and I'll say, Well, it's this TED talk.

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I can't think of a single thing to say,
you know, I'm 25.

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Why don't I have anything
that's a calling to me?

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Why am I so disinteresting?

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Why don't I have any passion?

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And I think
what she really wants to say to me is

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why won't my 25 year old daughter, stop
acting like a big adult baby,

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but she doesn't say that
it's not in the contract of being a mum.

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That sort of honesty isn't allowed.

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And so instead, she said, Oh, come on,
you know, you are interesting.

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You just you're putting
too much pressure on yourself yet again.

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You're getting so overworked,
you're getting so anxious, you're putting

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too much pressure on coming up
with something that you want to be great.

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And you get in the way of yourself.

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So I thought, Hmm.

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Carry on saying nice things.

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That's what
the old ego needs boost it up. And

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I thought, actually, as usual,
she's quite right.

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And I was having what I could only
describe as a sort of a creative block

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and being a graphic designer and a
creative sort, I like to think hopefully.

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This is something that I've come across
quite often.

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So I decided, how can I make this

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useful for anyone here today?

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And so I thought the only way to do
that is to mentally pick my audience.

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So, today
you'll be doing a bit of role play

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and you will be my class of,
I don't know, 2030 design students.

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So very exciting day for everybody.

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There's not enough flannel shirts
and Doc Martens, but I think I'll manage.

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And so my talk today is going to be
the first lecture that I would deliver to

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a class of design students.

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So has anyone

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ever had creative block before?

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And if you all answer properly,
you'll all have your hand,

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because creative people and creative
students love to be these complex

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little creatures and talk about
creative block and how they're struggling.

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So what is creative block?

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Now I described it earlier
as kind of an obstruction between getting

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from A to B, and that's not meaning to say
that the world is split up

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into creative people and non creative
people.

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It's quite the opposite.
Everybody is creative.

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You know,
everyone's found a root here today,

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unfortunately,
you are all here to watch this.

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And I've I come across this quite often,

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I watched something recently
and it said creativity from desperation.

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And I really that really spoke to me
because I think when you are employed

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and your kind of brand
and personality is to be the ideas person,

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when you run out of ideas,
you feel like you have nothing to offer.

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So why
do creative people struggle in this way?

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And that's down to, research has shown
that basically creative people

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and their minds work slightly differently,
so they will use different bits

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of their brain to communicate which kind
of a more logical mind wouldn't,

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I mean, has anyone got creative friends
that you kind of feel like

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you can't keep up with?

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I know Deborah won't mind me saying that,

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she's definitely
a visual kind of representative of that.

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When some
sometimes she comes into marketing,

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she's got so many ideas and I'm there
with my Post-it notes trying to keep up.

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And it's
because that's because she's a creative.

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That's how her mind works.

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So I'm just going to tell you now
a little bit about how when I was younger,

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there was perhaps quite a few signs
that I was wired differently.

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So when I was

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the fine age of maybe two and

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my parents thought I was deaf,
I was at an age where they really thought

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that I should be able to communicate
and listen to them.

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But I was like, No, thank you.

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I'm playing lego, I'm busy.

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And so they took me to get looked at

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and to their relief
and I suppose, disappointment.

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I was diagnosed as ignorant and

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described as very much in my own world,
which is definitely something

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that people who know me
now would rightly describe me as.

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So I got a little bit older
and I started talking.

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But as you can guess,
that kind of went a bit haywire as well.

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And I would supposedly.

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I'm told the rumor is that
I began every word with the letter D,

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and I wouldn't

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suggest you try it now, but I think
that can make quite a strange noise.

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And so my parents were checking

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in their loyalty cards
at these educational psychologists.

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And so as you know,
she's talking a little bit funny.

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Is that OK?

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And they said, Yes, she'll grow into it.

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Don't worry, she's she's a bright girl.

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And I think straight away the term,
she's a bright girl suggests that

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if you have processes that are different
would suggest that you're not bright

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when actually it's
no reflection on IQ whatsoever.

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So then I started writing and got the hat
trick was really bad

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at all three of those
and I would write backwards

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and which I don't know
if any of you have tried to do it

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but I couldn't do that today,
so I think that's quite impressive.

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Well, obviously it's not the preferred way
to write backwards.

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So off I go again.

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My mum and dad get the loyalty stamps
at the observer's office and they said,

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I know she'll grow out of it,
she'll be absolutely fine.

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And I did grow out of it.

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I was really happy
and really thrived in my education.

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There was maybe some sticky bits and spots
and difficult times

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when I first started, but after that
I was really quite happy at school and

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did well.

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I can always remember
being really good in art class.

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We would do portraits
and draw the kids in front of us.

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And I can remember them gathering around
and being like

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that doesn't look like a potato
that looks like a child.

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You know, she can. She can draw.

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And so I was like, Picasso, step aside.

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Here I come.

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So if you fast forward a few years

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now, and I would be probably about 13
it's the year

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the High School Musical came out,
a much simpler time for everybody and

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not so much my parents because

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I had insomnia really terribly for a year
and I didn't sleep.

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And so in turn, neither did they,

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I think you'll find it's
quite fun to be a parent of mine. And

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basically, I got

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completely obsessed
with watching the clock backwards.

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I could not stop obsessing about it,
and in turn, I couldn't turn my mind off.

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And then when I was awake,
I'd be counting down the time,

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so be going back to bed
because I would be so worried about it.

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And this was the first sign that there was
some sort of anxiety and something

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that was subconsciously upsetting me,
but I wasn't quite sure what it was.

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And to this day, I still don't know.

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But that was the first kind of indicator
that there was something

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kind of unbalanced.

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So fast forward again,
we're doing a lot of fast forwarding

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and I'm now studying the graphic design
diploma

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here in the arts college
and my tutor said to me.

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Lucy, you do things a bit differently,
don't you?

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And I'm sat there
writing an essay backwards,

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probably sitting upside down
like, what? What do you mean?

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But, not quite as dramatic as that.

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There was definitely some processes
that I started to notice.

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So he said, the best thing for you to do,
he knew that I wanted to go to uni.

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He said you should go and get looked at
and kind of get observed again.

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A big word.

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And so I did.

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And the result of that was that
I don't know

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if any of you have ever seen
the dyslexic spectrum before.

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If you is design student to probably
half of you, that will have seen it

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and kind of there's dyslexia
and that spread across

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between dyslexic dyspraxia
and dyscalculia.

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And I was diagnosed to be
just kind of hovering around them.

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They couldn't specifically say which one.

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I just had quirky ways
and now being diagnosed,

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I was really not interested at all
and being diagnosed with dyslexia

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and in my case, in my story,
I didn't find it interesting.

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I'm from a generation
where people are quite

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switched on, thankfully
to that sort of learning difficulty.

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But I found that once
I knew there was something

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not quite right
and I was doing things differently,

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I then started to notice all the funny
things I did, and I was so incredibly

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frustrated all the time,
and the report makes me laugh now.

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Things like Lucy stands too
close to people.

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She walks slightly diagonal and all these

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all these quirks,
and now I laugh about it.

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But I think for a 19 year old
and going through the usual

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struggles of adolescence to adulthood,
I just began to feel

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very self-conscious of these quirks
and things that I was doing.

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I would turn up to events
on the wrong day.

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That happened quite a lot,
it still does happen

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and I would do all sorts
of strange things,

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I then turned into a slightly more
reserved person and I didn't

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want to be put into social situations
because I would feel awkward and in turn,

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friendships started
to change because they didn't like this,

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they didn't know what to do with this
kind of new complex version of myself.

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And I think at that time I had become

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I felt like I was sabotaging my own
future, I missed out on job opportunities

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because I would start to misunderstand
questions or my applications

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there would be all sorts
of spelling mistakes.

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And it wasn't a particularly fun
time for me.

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So five years later,

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I'm standing here today
and I'm talking about it, and I'm

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completely comfortable with sharing
with you.all of these quirks I have

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and I hadn't actually realised
I was comfortable

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talking about it, until maybe
about two weeks after Christmas.

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I was offered a job.

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It was a progression role.

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It was exciting
and they got in touch with me.

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They got me to do some work for them

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and they phoned me back and said, Wow,
you're creative was amazing.

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But did you know there was 21
spelling mistakes,

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I'm starting to think it might have been
Sam who was on the other end of the phone.

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Did you

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know there was 21 spelling mistakes
in your design notes?

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So I thought, Oh, that's strange.

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I thought I was going for a design job,
not a writer job.

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But long story short,
they offered me the job,

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but under the caveat
that my dyslexia wouldn't be a problem.

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And if in the first three months it was,
they would have to let me go.

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So I thought, Oh,
thank you, brilliant offer.

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And so they said, Oh,
you can have some time to think about it.

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But I already knew at that time
what I wanted to do so.

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I spoke to my husband,
I spoke to my parents,

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and I rang them back within the hour.

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And I said, I'm uncomfortable
with accepting a job, that doesn't have

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the processes in place to deal with
what comes with a creative mind.

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And that was quite a substantial moment
for me.

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I didn't have a downer on myself.

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I wasn't cross that I had sabotaged
another opportunity.

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I just thought,
Well, he's missed out on this.

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And I thought I'd really dodged a bullet
with the gem that he obviously was.

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So. I've worked

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at the Institute for coming up three years
and which has gone really quickly.

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And in that time, I've really realized
what environments I thrive in.

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And so I know you'll be question
in my drawing capabilities after this.

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This is a minimalist take.

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So this is me at my desk at work,
and a typical Lucy

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at work is headphones on the girls
in the office

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often joke when I can't hear,
you know princess layer's out again.

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And there's always kind of more
sophisticated

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tunes in the week, such as the XX,
when it's Friday, it's pit bull anthems,

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but there's always some sort of music
going through my ears

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because that's the environment
that I can work in.

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Little confession I'm quite messy,
but the mess that could have been there

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for maybe two months will suddenly become
unbearable if I feel muddled in my mind.

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I'll be bolt upright and be like bin, bin,
bin and I think Chris

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who I share an office with really loves
that about me.

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Keeps him on his toes.

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Another thing that I do
is as much as I can control it,

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I try and leave a lot of time
at the end of big projects.

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Because I do some weird stuff,
I, you know, I'll move words around.

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I've always said

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to my manager and to my colleagues,
I'm a really difficult person to prove

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because some things I won't even realize
I've done, and I'll change words

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in a way that so somebody with a logical
mind might not have seen it.

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And so they obviouslt love

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that about me as well, I'm
the delight of the workplace and at home.

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So another thing
I have really noticed over the years

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is that I have accidentally kind of
got a really select group of people,

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that surround me, that my friends and
I understand them and they understand me.

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And I think that's a very important part

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of growing up healthily
with a healthy mind.

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I think that when you're diagnosed
with a learning difficulty or disorder,

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it's not necessarily spoken about as being
a social, socially awkward thing.

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But if you can't understand words,
then you're missing the key

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and, you know,
fundamentals of communication.

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So why am I oversharing
to this extent today?

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And I suppose it's because I want it
to be the exact opposite of that.

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I went to see a comedian last year twice.

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Number one fan

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and the comedian was James Acaster,
I don't know if any of you

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are familiar with him,
but he spent about half of his

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comedy sketch talking about mental health.

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And there's some really,
he said, some really difficult things.

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And you can imagine a British
audience was like, Oh no, shut up.

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No, thank you. We're here for laughs,
not seriousness.

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And they didn't like it, and
he was mocking them, and he was basically

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trying to make it a discussion
and to talk about mental health.

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And obviously,
I'm not talking about mental health today.

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I'm just talking about minds more,
particularly my mind,

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because it's the only way
I have the authority to talk about it.

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And I think that it should just be such

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a common discussion to talk about,
you know, the difficulties of adolescence,

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the difficult qualities of maybe being
creative in some circumstance because

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I think that people aren't comfortable
with bringing that up as a topic.

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So that's why I picked today
to imagine you as all keen design students

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and trying to make an open space
and open forum

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that people feel comfortable
speaking about it.

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Now, when I was growing up, it was very
much be happy in your own skin.

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You know, love who you are.

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But I think definitely now there's
a notion of being happy in your own mind.

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And I definitely want to be
an advocate of that.

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And I suppose this is the only thing that
I could really contribute to that notion.

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So just a disclaimer.

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I'm absolutely not a psychologist.

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I'm an expert in very few things.

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Probably one thing

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and that would be myself as good
as an expert as I can be at this moment.

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And that's kind of advice
I would give to my younger self,

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you know, get to know what you thrive in
and communicate with people.

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So thank you for your time today
and thank you for listening.
