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So in our last video, we took 

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a look at the transform tools 

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and basic keyframes, 

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and so just to recap, 

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we moved one of our layers 

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- the drone layer 

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from the left side of the screen 

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into the centre to reveal it. 

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And then we used the easy's 

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key frame animation 

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to smooth the movement down at the end.

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So I'll just quickly go 

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through the keyboard shortcuts 

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for all of the transform tools, 

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which we failed to mention 

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in the last video. 

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If you hit U on your keyboard 

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with a layer selected, 

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that will bring up 

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all of the key frames on that layer. 

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If we hit P, it shows position.

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If we hit S, it brings up the scale.

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If we press T, it brings up the opacity.

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A is for anchor point

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and R is for rotation.

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So in this video, what we're going to do 

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is take a look at creating 

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some shape layers 

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and using once again 

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the transform tools and some key 

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framing to move that shape. 

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So what I'm going to do to start off with 

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is I'm just going 

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to delete our layers here 

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just so I've got a clean 

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canvas to work from. 

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So I'm going to use 

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the rectangle shape tool 

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or the rounded rectangle tool 

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in this instance 

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by dropping down our shape tool

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and just hitting rounded rectangle tool.

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So with nothing selected, 

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I'm going to simply draw 

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a rectangle 

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on our composition. 

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Up here now you'll see

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we have some properties for our shape.

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We have our fill, 

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which is what's filled in 

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the shape and stroke, 

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which is on the outer of our shape.

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So for this instance, 

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I don't want any color at all, 

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but I could change that color 

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simply by clicking on the color

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that's already there 

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and then changing the color as so.

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But to change it from fill no fill

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you click next to the color 

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on the word fill. 

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Then you'll have these properties pop up. 

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You have none. 

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The solid color, which is what it is 

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now, a linear gradient over

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radial gradient. 

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So I'm going to choose non, click OK.

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And now on the stroke, as we can see,

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there is slightly a blue stroke.

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I'm just going to increase the pixels

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ever so slightly to about twelve like so.

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In the colour again, 

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we can change it by clicking the box

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and simply dragging that 

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around, I'm going to go for

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a bit of a brighter blue like that

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and as previously 

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discussed in earlier videos 

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I'm going to hit V on my keyboard 

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to go back to my selection tool. 

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So 

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I'm going to click Control Alt and home

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to put my anchor point 

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if you remember into 

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the center of my layer 

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and then control 

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and home to center in my composition.

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So just as before, 

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I want to change the position 

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of this over time 

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and how I'm going to do that. 

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Is by hitting P on my keyboard 

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to bring up the position tool. 

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I'm going to click 

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the stopwatch next 

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to position to set a key frame 

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to where I want it to finally end up, 

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which is just around there, 

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come back a little bit 

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and then drag my position down.

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Something else I'm going to include, 

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which I didn't show you 

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last time is motion blur. 

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What Motion Blur does 

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is essentially blurs motion 

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so that it looks more realistic 

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and doesn't have a sort of 

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choppy feel to it. 

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So this little icon here 

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turns motion blur on 

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or off, and you'll see 

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within the composition there 

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what difference that is 

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making to the movement. 

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So it starts off at bottom 

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and ends up in the center. 

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That's perfect. 

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And again, I'm going to highlight 

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these key frames 

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and fit F9 on my keyboard 

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to easy ease them, 

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go into my graph 

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editor and just drag that a little bit

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to smoothen it out towards the end. 

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So that's looking fine. 

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That's just as I want it. 

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Next up, I'm going to use the type tool 

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which we looked at in 

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one of our previous videos 

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and create some text within my box. 

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So I'm going to click 

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the horizontal type tool.

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Click in my composition 

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and type 

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typography, 

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so I control a to highlight 

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all my typography, and over here 

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you'll see the character window 

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is popped up, so here 

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I can change my font, 

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my font family, my colors,

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kerning, leading capitalization,

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line spacing, everything 

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you can normally change 

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within your character properties, 

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so I need to select my layer

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hit V on my keyboard, 

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and I'm just going to 

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move it within my box, 

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turn caps lock off. 

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So what we can do now is

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we can put our title safe on.

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And again, hit control 

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ALT home on our keyboard 

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to centre the anchor point

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and then control home to ensure

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it's perfectly in the center. 

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That's looking great. 

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So the only issue you have now, 

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is the box moves. Our text doesn't.

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Now we could copy these key frames 

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onto our typography layer, 

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but I'm not going to do that. 

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Well, I'm going to do 

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is something called parenting 

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and that basically parents 

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one layer to another. 

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So it takes on the same characteristics 

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and same properties as that layer.

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So in a way which we can do 

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this in this dropdown menu 

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next to parent and link, 

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we can drop this down 

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and we can click the Shape Lab 

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because we want our typography layer 

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to take on the properties 

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of our shape layer. 

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What I'm going to do 

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is click on the parents pick quip

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and simply click on the shape

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layer as so, just drag 

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and drop on to the shape layer.

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And now what we'll find. 

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Is that our text is within our box

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and it takes on the exact 

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same properties. 

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As the box position movement. 

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No I need to turn on motion 

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blur on this layer as well, 

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so it fits within our scene. 

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Excellent. 

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In our next video, 

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we'll take a look at masking, 

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some basic effects and also pre

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composing our layers.
