﻿1
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So now we're going to cross line along
 a longer piece of wall.

2
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And this time we have an internal corner
 rather than external.

3
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We still need to come round this slightly.

4
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Alright. That way,
 we will seal the corner with paper.

5
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And the last thing we'll do is come across
 the short edge of the chimney breast.

6
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Before we get there again, we've marked

7
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a horizontal line
 using a pencil and spirit level.

8
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Chalk line will do just as well. 

9
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I'm working on my own,
 so it was a pencil and spirit level.

10
00:00:45,416 --> 00:00:47,583
So again, I undo that first fold.

11
00:00:47,583 --> 00:00:50,875
This time it's a concertina fold
 and just be aware

12
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of what I'm doing with my thumb,
 and where my right hand

13
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is, when I'm moving
 this paper along the wall.

14
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So again, like last time, my right hand,
 the supporting hand

15
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is touching the ceiling edge just while

16
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I get the paper started on the line.

17
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Press into the corner. Okay.

18
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The first fold is deliberately short,
 just so I can get myself started.

19
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What I do now is just undo the next fold.

20
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Put my thumb back down. 

21
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Open the next piece of paper and again

22
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with my right hand
 staying close to the wall and ceiling edge

23
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that way I could just gently press
 down on the paper.

24
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And again, you can see
 the paper is quite tight to the wall.

25
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Out comes the sweep brush.

26
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As I mentioned earlier,
 some people prefer a spatula.

27
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I'm maybe of a certain age,
 so I prefer the sweet brush.

28
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Both work, try both.

29
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Right, up and down we go.

30
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Sweep brush back into the large pocket.

31
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Again undo the next fold,
 thumb back down. Open we go.

32
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Keeping that right
 hand nice and high and close

33
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to the wall. Brush back out.

34
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And then the last fold. Where are we?

35
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As you can see by
 using the concertina fold.

36
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We are just doing barely a meter a time

37
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at a time, sorry,
 when we're going along the wall,

38
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which is a nice and manageable size. 

39
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So you've just gone over
 the edge of the door frame.

40
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So what I've done there is make sure
 that the paper is touching the door frame.

41
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That is going to stop it
 unraveling from that end whilst

42
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I come back and concentrate
 on the corner here.

43
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So again, where we put the paper
 into the corner, we have.

44
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A slight crease, right? 

45
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That's not so much an issue,
 we can cut that crease off.

46
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Take this off using either the scissors,
 using the back of the scissors

47
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to form a crease, following a pencil line
 or by using a caulking tool

48
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and craft knife, so again,

49
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make sure you get a decent bit of pressure
 if you are going to use this method.

50
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Otherwise, you run the risk of actually
 tearing the paper and not cutting it.

51
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If you are not pressing the paper
 tight to the wall.

52
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Again, this is a quick method.

53
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Although I do find the scissors
 a little more accurate,

54
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I'll just take that across there,
 I'm going to need to move the hop up,

55
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as you can see that
 comes down to the corner.

56
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And then because there is going 

57
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to be another piece of paper
 coming from the front to the back.

58
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I'm just going to cut that
 at a slight diagonal.

59
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It just means a paper that's been
 going to come in will sit a little flatter

60
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and again, just pushing my fingernails in

61
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just to make sure I've got that nice tight corner.

62
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And then again, lay off
 using a brush or spatula.

63
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So both work quite well.

64
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And as you can see again, I'm
 making sure I'm going from the center.

65
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Out to the edges,
 because otherwise, if we don't once again,

66
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just by way of demonstration,
 we can push a bubble around all day long.

67
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All right. So we need to make sure we do
 go past the edge.

68
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So we come along and we've reached
 the side of the doorframe, or architrave.

69
00:05:02,750 --> 00:05:04,958
And of course, the paper
 is never going to lay flat.

70
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So all we need to do 

71
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is find the edge of the door
 frame, or the door architrave.

72
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Up to its top corner, then come in
 slight diagonal with the scissors

73
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and cut. Into the very corner

74
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where the wall meets the door architrave,

75
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so just going to lift the lining
 paper away slightly.

76
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I've made a crease again,

77
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a pencil dot in the corner
 would work just as well.

78
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Then just so I can see what I'm doing,

79
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now I've got this cut. 

80
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I can get rid of
 the majority of the excess.

81
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Then pull the paper away. Smooth along.

82
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And this could continue all the way past,
 and if I've gone past

83
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and down the other side of the doorframe
 I would use exactly the same technique.

84
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So just cutting slightly diagonally. 

85
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OK. That way, I can now. 

86
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Finish getting rid
 of the last of the bubbles.

87
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Lay the paper flat. 

88
00:06:20,125 --> 00:06:23,208
And again. Just by way of change.

89
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Mark a crease with the back of the shears.

90
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Pull down, hopefully the camera is picking up on the crease

91
00:06:32,958 --> 00:06:36,791
And then I could just use a crease as my cutting guide.

92
00:06:39,791 --> 00:06:45,166
This is probably a good technique to use
 if you're doing a finished pattern paper.

93
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That way, you don't have the risk
 of a pencil line at the very top edge

94
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of your finished pattern paper 

95
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and then back across with the brush.

96
00:06:57,583 --> 00:07:01,333
And again, these bits I can peel away, all right, and

97
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trim with the brush,
 or just press down with

98
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the caulking tool and take the knife along.

99
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And there you pretty much have it. 

100
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So that was a longer length of cross lining,

101
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using a concertina fold
 with just the corner of the door there.
